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The children’s story bend in “Grimm” is less strict and, contingent upon your taste, more shrewd or outright senseless. David Giuntoli (“Privileged”) stars as an Oregon cop who finds that he is a piece of a long line of — I’m completely serious — Grimms, genetic beast seekers in the custom of “Buffy” or “Heavenly.” He takes in this from his close relative, played by Kate Burton, and one of the delights of the pilot is viewing the frequently furious yet for the most part fastened Ms. Burton doing some substantial hand-to-hand battle with a bristly beast.Grimm” starts with a scene that impersonates the standard police-show “here’s the casualty” opening, as a lady in a red sweatshirt goes for her morning run. At that point a concealed predator wipes her off the screen in a blaze, a flag that the terrible folks are otherworldly furthermore a gauge that this first scene will move, rapidly. Reams of foundation data are administered while Mr. Giuntoli’s criminologist advances through a TV-noir scene of debilitated fluorescent healing centers and dull lanes.